简介：八年来，坚强的男孩赫苏斯一直呆在地下的军事基地里度日，自从启示录战争爆发后就再也没有回到地面，与赫苏斯困在一起的还有其他八个精英队员，领导人玛丽亚和她的情人巴勃罗;同性恋卢卡斯和助手;天文学家马格达莱纳和少女安娜;士兵佩德罗和寂寞的犹太人，他们负责保卫这里的安全。陆地已经由核辐射所变异的丧尸大军占领，他们不仅要时刻准备为尸群入侵而战斗，还要处处提防着各种未知鬼怪的突然袭击，可以说他们每日都在恐惧的阴影下度过。不仅如此,他们还要解决因自身内部的矛盾,如果稍有差池他们便会招致瞬间灭亡的惨剧。但无论如何，他们所奉行的只有一个原则：为了生存而生存。也许他们是人类在宇宙中唯一的一群幸存者……　　影评此电影虽然不太出名，但却获得过国际影展六项大奖，被称为次世代恐怖悬疑片的里程碑。本片以极低的成本拍摄出了好来屋级大片效果，无论是画面还是声效都极具震撼力，阴柔的灯光特效和演员的演技将影片所表现出的恐惧绝望感发挥的淋漓尽致，骇人听闻的故事内容（情节与人物名字皆参考圣经）与离奇的怪物设定也是本片的一大看点。此片悬念部分做的非常出色，片子把所有伏笔都埋在了最后，所以不到最后一刻你是不会知晓事件真相的，到时影片所展现出的魄力绝对会把观众震惊。

简介：F.M.是一个颓废青年，某日他发现某种迷幻的音乐会使人们变得烦躁不安，他怀疑政府正借此对民众进行洗脑。。。

简介：On the rainy night of October 2, 1968, eight characters waiting on a remote bus station for a bus heading to Mexico City start experiencing a strange phenomenon.

简介：Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).　　The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.

简介：In 1661 Mexico, the Baron Vitelius of Astara is sentenced to be burned alive by the Holy Inquisition of Mexico for witchcraft, necromancy, and other crimes. As he dies, the Baron swears vengeance against the descendants of the Inquisitors. 300 years later, a comet that was passing overhead on the night of the Baron’s execution returns to earth, bringing with it the Baron in the form of a horrible, brain-eating monster that terrorizes the Inquisitor’s descendants.

简介：一位外星科学家和他的团队被派往地球，从他们垂死的星球上通过释放吸血鬼、狼人和木乃伊等怪物来消灭人类，以便继承地球。

简介：SUPERCOOL马其顿动作幻想片！　　sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it... so, the best thing i could say about Zbogum na 20 vek is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.510

简介：政府采用了一种辐射灭虫器用来消灭农田里的害虫，但却引起了可怕的后果。杀虫器所放射出的有害物质使附近的死人复活，并将他们变成了饥饿的丧尸。然而正在农场附近的约翰和安娜两个人不幸被丧尸袭击，后在警员的帮助下才得以逃脱，可警员却葬身尸腹。于是约翰被警方怀疑涉嫌谋杀而遭到拘捕，安娜则被送往医院中。由于病毒不断的扩散，致使医院里的死人纷纷爬起袭击活人，约翰得知消息后不顾一切逃出警局，但他还能赶得及去拯救安娜吗……　　这是一部由意大利与西班牙影业联合监制的七十年代恐怖杰作，被广大恐怖影迷奉为经典的作品，也是七十年代最卖座的丧尸电影，影片拍摄的时尚大气，丝毫没有拘束感。片子虽然被指模仿了罗梅罗的，但在某些创意上却有着天差地壤之别。在开场几分钟的时间里，导演就把社会的灰暗面表露无疑，然后笔锋一转，便开始了紧张的剧情。片中的丧尸首次被赋予了智慧，其男女主角也有相当的悲情色彩等，有许多情节被后来的一些丧尸片竞相模仿，甚至使其成为了一部里程碑式的作品。

简介：改编自叔叔杰西·祖拉斯基(Jerzy Zulawski)的科幻小说杰作《月球三部曲》，故事描述人类逃离毁灭的地球，飞船坠落在银色星球上，不久后有人开始在星球上进行造神运动，然信徒分化后一派奉此外来政权为神，另一派则视之为魔，人性贪婪的劣根性，在这星球上暴露的一览无遗……　　本片被誉为是“一部拍给另一个世界的人看的电影”。影评人一致推崇这部片是导演安德烈·祖拉斯基电影生涯中，最具史观、野心勃勃且兼具后现代主义的科幻哲思电影，也是他重回故乡波兰拍摄的归乡代表作。　　这部充满争议的杰作，安德烈以非常风格化又带着原始情欲的方式，传达其所钟爱的命题：一则后现代主义式的寓言。故事的结局，地球人不但改变原本的内在，连外在也慢慢变成介于人与鸟的中间物种。这种由内而外，进而转化成另一物种的隐喻，也为这部犹如政治寓言的科幻史诗，更添加了奇幻色彩。　　1977年当影片拍好八成时，新上任的波兰文化助理大臣禁止此片拍摄，并下令销毁场景、布置和服装，直到1986年波兰民主化，本片才跟着其它禁片出土。本片同时也发掘了戛纳影后克里斯提娜·杨达的潜能，拍摄这部处女作不久，她成为基耶斯洛夫斯基及瓦伊达最喜爱的女演员，也成为波兰的国民影后。

简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

简介：毒贩和他的女同伙在他们的最后一次任务上反水了他们的老板，最后被困在时间循环中。

简介：小幽灵住在一个俯瞰小镇的城堡里，在每天午夜的一个小时后醒来。跟着他在去冒险看他的第一个日出!

简介：The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

简介：《通向行星路》的制作期长达三年，它是一部雄心勃勃的意识形态电影，包含着极具开创性的特效和精湛的手工模型作品。这部影片对库布里克《2001太空漫游》（2001：A Space Odyssey，1969）中对失重状态、灼热的星球和旋转式的太空站模型的在现实主义描写有着重要影响。　　Klushantsev的《通向行星路》捕捉到了太空竞争的时代思潮。按照莫斯科电影官僚的指示，他在影片中增加了苏联第一个绕地卫星的模型。结果，这部五十分钟电影在苏联激起了观众的恐慌。据报道，电影片段在美国电视播放时，有些观众恐慌得晕厥过去。　　这使得他随后的影片也是他唯一一部标准长片——1962年的《暴风雨之星》让人有点失望。这部影片是这一时期苏联科幻电影知名度较高的一部，故事由一队到金星探索的苏联航天员展开，队伍中有四个男人，一个女孩，还有一个笨重的机器人（这个机器人很明显是效仿了米高梅影片《禁忌星球》（Forbidden Planet，1956）中的机器人角色）。当两个宇宙飞船被流星摧毁时，这一队人被迫在星球表面下降着陆。他们一着陆就遇到恶毒的蜥蜴人，掠夺性的翼龙和食人的植物，而最后，他们得以逃离，回到太空中。

简介：In a future world ruled by good-looking people, a terrorist group of mutants led by Ramon Yarritu kidnap the daughter of Orujo, a rich businessman, to claim for the rights of the ugly people. Escaping from the police in their spaceship, Ramon try to kill his gang in order to get all the ransom. The trip ends abruptly when they crash in Axturiax, the planet of the crazy miners where no woman lives

简介：Alone in Space is a high concept adventurous, warm and funny genre feature film that doesn't shy away from big questions about life and death. Alone in Space takes the audience on a ride with two kids lost in space, accompanied by a friendly alien.

简介：一名老人從他遺世獨立的農場出發，走在塵土飛揚的道路上，前往鄰近的鄉村。陪伴他的是一位沈默的鬼魂，老人在五十年前曾目睹他的死亡。數十年來，老人都對因結核病過世的母親感到遺憾，心理疾病的折磨讓他產生了病態的需求，為了讓自己好過，他開始秘密協助生病的婦女進行安樂死。當他發現身邊的鬼魂伴侶能夠協助他穿越時空，老人立刻計畫回到過去，意圖說服年輕的自己去避免讓母親受到絕症的折磨。然而，他並未意識到自己的行為將對未來產生什麼樣恐怖的影響⋯⋯

简介：天才程序员基里尔为公司完成重要项目，成功为公司制作出虚拟的世界。但就在他准备收获名誉与金钱时，现实世界却突然面目全非。面对陌生的一切，他必须找到办法回到自己所熟知的现实之中。

简介：该片是《海蒂和爷爷》导演阿兰•葛斯彭纳最新力作，一部德国版的“饥饿游戏”！未来社会阶级分明，制度将菁英与弱者划分开来，前者享有富足的生活与保护，后者则被遣送到拥挤脏乱的底层地区。为了获得优渥的资源，各类竞争无所不在。札克与娜迪获选参加顶尖大学保送资格的体能训练营，他们除了要合作完成各项任务，还得在个人表现上拔得头筹。相较遵守游戏规则的娜迪，向   往自由的札克开始质疑制度，两人的摩擦逐渐升高：一本失踪日记、一起意外命案，不仅改变他们的命运，也揭开扭曲体制下的私欲与谎言。

简介：少女莎拉与自己所处的世界格格不入，苦苦追寻生命意义的她踏上了一段惊险的旅程。httpwww.btbtdy.combtdydy7989.html

简介：2005年圣节前3天，电子游戏设计员米正在赶制全新游戏－极乐迷宫，准备在圣诞日推出面大量发售．岂料异变突然发生，游戏里的主角苏被病毒感染产生自主意志，厌倦了打打杀杀无限续局的残酷生涯，要求杰米删除游戏程式，另一边厢，电脑集团又派人催促杰米赶快交货，进退维谷的，他只好兵行险著，策动一场网络革命……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：

　　In a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.

简介：雾雪笼罩的怪异河岸。四处散落着钢精和水泥。一栋废弃的摩天大楼。平坦处仍未完工的公路桥。一座宏大的金属制的马的雕像。还有一座列宁的雕塑，他的右手伸展着指向空旷处。这是一个冰冷、僵化的无人之境，衰落的往昔在这里与想象中的未来接壤。人们漫无目的地穿过这个不真实的世界。原先确定无疑的事情不再令人确信，亲戚朋友都消失了，理想已经随风而散。萨莎从国外返回家乡，她死去的父亲曾经是这片建筑工地的主人，现在她继承了这笔遗产：一位正在寻找工友的吉尔吉斯斯坦工人；一位前额有块反着光的红色皮肤的建筑师；一位曾在莫斯科路障旁与叶利钦比肩站立的导游。他们中的一些人会莫名其妙地流鼻血。一位年轻的学生问道，“我们是谁？我是谁？一切都混乱无章。”　　小阿列克谢•日耳曼用七个章节，将他祖国的精神面貌压缩成一部长叙述的象征性电影，一场流畅精心设计的人与摄影机之舞。